SCIFAIKUEST

AUGUST 2022 ONLINE

 

 

 

DOOR: Waiting in Anticipation by Andy Graber

 

EDITORIAL

Greetings and Happy Anniversary!

 

This issue marks the 20th Anniversary of Scifaikuest! When we started all those years ago, I was told that most start-up magazines don’t last more than two years. Well, I’m happy to say, here we still ARE! And it’s our Readers and our Contributors who have gotten us this far. Thank you so much to all of you!

 

Our awesome DOOR is Waiting With Anticipation, by Andy Graber.

 

In keeping with our heritage of discovering and presenting new poetic forms, we have another new type of poetry to introduce! It is called the Drabbun—a combination drabble/haibun, and you can read more about it in this issue.

 

Our Featured Poet for the ONLINE version is Joanne Morcom, and I’m excited to share her wonderful poetry with you.

 

There are so many wonderful poems in this--our Anniversary issue! I hope you will agree with my choice, a unique and awesome horrorku by Gordon Brown.

 

Our Featured Poet for this Anniversary edition, is Joanne Morcom. The last time her poetry was featured was in NOVEMBER 2004, so I’m delighted to have her back again as our Featured Poet!

 

Scifaikuest finally has its own ISBN!!! Please inform your local bookstores and library that they are now able to ORDER SCIFAIKUEST!!!

 

You can always find us here, at Hiraeth Books at: https://www.hiraethsffh.com/home-1

 

If you don’t have a subscription to our PRINT edition, they are available at:

https://www.hiraethsffh.com/product-page/scifaikuest

 

And, if you would like to join the select group of contributors by submitting your poetry, artwork or article, you can find our guidelines at: https://www.hiraethsffh.com/scifaikuest

 

Pssst! Looking for something to read? You can order t.santitoro's latest novella,

Adopted Child, at: https://www.hiraethsffh.com/product-page/adopted-child-by-t-santitoro

You can also get a copy of her novelette, The Legend of Trey Valentine, at: https://www.hiraethsffh.com/product-page/legend-of-trey-valentine-by-teri-santitoro

 

NEWBIES: Gordon Brown, Valentin D. Ivanov, Jenny Thompson

 

another anniversary

everything comes around again

on the Galactic wheel

 

-sakyu-

 

***

SCIFAIKU

night diner

third eye covered

space soda jerk’s cap

 

Akua Lezli Hope

 

*** 

 

sail size petals drift

1,000 feet to ground      

meat eating flowers

 

Akua Lezli Hope  

 

***

 

outrunning light

I skid to a stop

last Tuesday

 

Stephen C. Curro

 

***

 

jungle ruins

a dragon coiled

along the walls

 

Stephen C. Curro

 

***

 

Phobos dreams

red dust all over
the bed again

 

Stephen C. Curro

 

***

 

Martian sunrise

picking hydroponic greens
for the Farmer’s Market

 

Stephen C. Curro

 

***

 

the end of Eternity

never comes for an atom

falling in a Black Hole

 

Valentin D. Ivanov

 

***

 

stellar vortices

share a slow kiss

merging galaxies

 

Valentin D. Ivanov

 

***

 

waking from a dream

of moonblades and cages

blood scents in her sweat

 

John Hawkhead

 

***

 

coffin catalogue

imagining a future

for Schrodinger’s cat

 

John Hawkhead

 

***

 

this unexplored cave

bats hanging from the ceiling

some as big as me

 

ayaz daryl nielsen

 

***

 

virtually re-living

the spilled wine

a pixel flickers

 

Tyler McIntosh

 

***

 

eons of library silence

the silicon stories

still write themselves

 

Tyler McIntosh

 

***

 

stars in summer sky

sparkle and softly whisper

you are not alone

 

Jenny Thompson

 

***

 

HORRORKU

 

a fistful of teeth

in a bloody handkerchief  

my fairytale souvenirs

 

--pillow talk, by Benjamin Whitney Norris  

 

***

 

one hot mama’s  

hellish night  

the birth of arson  

 

--burn out, by Benjamin Whitney Norris

 

***

 

that strange smell

of roast beef tenderloin - 

ghost chef

 

Francis W. Alexander

 

***

 

cornet

as I bite into the cone  

a shapeshifter unravels 

 

Francis W. Alexander

 

***  

 

weird winter night

we dance to a waltz

in our body bags

 

Gordon Brown

 

***

 

turning back around

the door

isn’t there

 

Gordon Brown

 

***

 

TANKA

 

the tools at hand 
Herb Kauderer

ocean world seagulls
lack rocks to open mussels
wait for human boats
to emerge from the water
shellfish artillery rain

 

***


first contact

first contact
we came to party
but too late
all the lights are out
and the music's gone

Mariel Herbert

 

***

 

FIBONACCI


pragmatism 
Herb Kauderer

health
care
on the
subsistence
farming colony,
one
way
exit
from dome, sans
environment suit

***

 

GOGYOHKA


picking teams 

Herb Kauderer

back in the high school gym
another orientation
disease-free humans prepare
for forced emigration
to sterile space stations


***

 

HAIBUN

 

The Cycle Repeats

Lisa Timpf

 

Wasn’t till 2081 that we realized what the aliens had been up to all those years. Some fumble-thumbed tech at their end mis-set the time leap two centuries too late, and suddenly there was the OK Corral historic site awash with them, making the jump from a future age. That’s when we first thought to pore through the personal records of Tombstone area residents, circa 1881.

 

dear diary—

we pen the things

we dare not say aloud

 

Sure enough, we found mention of strange doings at the Corral, after dark. Shadowy crowds. Gun play. And whiskey, after, the quarter-eagle coins fabbed up by synth-machines passing for good.

 

From what we’ve pieced together, we can imagine how they must have stuffed their hooves or feet or tentacles into cowboy boots, rested them nonchalantly on the brass rail while they ordered up a round of shots. How, in hushed tones, they’d discuss their own re-enactment of the Gunfight. The way they reached for their stunners and zap zap zap battled it out. The way the bodies looked when they tumbled to the ground.

 

dusty silence—

every nerve prickles

till “go” time

 

The aliens were seen. Written about. But why should we be surprised to find we share this much in common with other species—the belief that adventure can only be found any old where but here.

 

*** 

 

FORBIDDEN HAIBUN

 

Forbidden Haibun: Missing

Francis W. Alexander  

 

On Nathan Jones’ grave we decide to make love – scent of cut grass. Briefly empathizing that Nathan died a virgin – shrouded moon. Her hair splayed along the headstone - soothing breeze. Consumed by her scorching heat – sagging headstones. Quicksand - the sudden sense of sinking. Full moon – grabbing my pants as the dirt swallows her.

 

Orion -

even in this town the cops 

eye me with suspicion 

 

***

 

ARTICLE

 

BRADBURIED TRUFFLES

By Robert E. Porter

 

For years, I thought my dad escaped his polio sickbed with Ray Bradbury stories. That’s what I told Bradbury in a letter, penned back in the 1990s. But I was wrong. My dad had polio in 1952, three years before the Salk vaccine came out. He started reading Bradbury (and John Steinbeck!) towards the end of that decade, when Kennedy beat Nixon for the presidency. “I was more into SciFi at the time,” he said.

Those two authors had crossed paths before:

“During several weeks in October 1945, Ray Bradbury had breakfast most mornings in Mexico City with John Steinbeck.” (Eller, 263)

Dad had never heard that. “Cool!” I told him how Bradbury looked up to Steinbeck, and Steinbeck read Bradbury tales to his kids. “All news to me, wow.”

Bradbury returned from that Mexico trip, and he ran into Maggie:

“[I]n the spring of 1946, her employer at Fowlers had asked her to watch the strange young man with his overcoat and briefcase, in case he turned out to be a shoplifter." He would become her life partner and the father of her children. "She read much faster than he did, but she appreciated her husband’s ability to retain what he read.” (Eller, 266)

Bradbury was a time machine…

Rather backward, though:

“He never learned to drive a car; he didn’t fly on an airplane until the age of sixty-two; he owned a computer for only a short time later in life but never bothered to learn how to use it.” (Weller, 180)

Why bother?

The typewriter got him where he wanted to go. It wasn’t Mars, not by a long shot.

“Ray spent a week in Houston, touring mission control and chatting it up with John Glenn. When the week was up, Glenn even offered to personally fly Ray Bradbury home in a private jet. Of course, afraid to fly, Ray declined. Glenn shrugged. “Stage coach leaves for Tombstone in the morning,” he said, with a good-natured smile. “What a fool I was!” said Ray, looking back on it. “I could have had my first flight with one of the most famous astronauts in history.” (Weller, p. 277)

He'd have passed on a spaceflight too, if given the chance. He was a fearful man, though he did have his convictions. Bradbury didn’t go to war like John Glenn, or cover the war like Steinbeck. But he defended flammable books, magazines, and the right to read (what’s left) from behind a barricade of incendiary typewritten pages.

Glenn wasn’t the only pilot Bradbury knew. He also knew Gene Roddenberry. Roddenberry flew B-17 bombers over the Pacific during WWII. He flew for Pan Am, as a civilian, before getting into television. Bradbury praised Roddenberry's Star Trek. But he never contributed a story to the franchise. (SciFi writers Theodore Sturgeon, Robert Block, and Harlan Ellison did.)

Gerald Ford (not to be confused with David Gerrold, who wrote Star Trek's Tribbles-troubled episode) fought in the Pacific, too -- aboard the US aircraft carrier Monterey. (Coincidentally, Steinbeck’s Cannery Row was set in the city Monterey.) As president, Ford bowed to Roddenberry’s franchise in 1976:

“[A]n orchestrated campaign by Star Trek fans deluged the White House with over 100,000 letters arguing that Constitution should be named Enterprise in recognition of Captain James T. Kirk’s iconic starship. Faced with what appeared to be the will of the people, Ford went with it.” (White)

Why not?

“[Astronaut] Fred Haise wondered whether the trekkies had realized that this Enterprise wasn’t ever going into space.” (White)

Did it matter?

The other day, my dad sent a 60x telescopic photo he’d taken of the moon… with the first series starship Enterprise CGI’d into the background, referring to 90-year-old “Kirk” actor William Shatner’s recent, real-life venture.

“’This is a pinch-me moment for all of us to see Capt. James Tiberius Kirk go to space,’ Blue Origin launch commentator Jacki Cortese said before liftoff. She said she, like so many others, was drawn to the space business by shows like Star Trek. (Luscombe)

About the time I wrote Bradbury, in the 1990s, my dad was working for NOAA aboard a research vessel in the Gulf of Mexico. I sent him The Log from the Sea of Cortez, Steinbeck’s collaboration with his marine biologist friend Ed Ricketts. (Ricketts also inspired the novel Cannery Row.)

Bradbury’s work is closer to Noah than NOAA. Stem to stern, like Kentucky’s Ark Encounter, crammed with nostalgic fantasies. Ears plugged to the siren song of science. Bradbury however has two important traits in common with Steinbeck. Both authors share a sense of humanity and a taste for “hooptedoo." (A word drawn from the prologue to Sweet Thursday.)

Steinbeck received a Nobel in 1962 for the humanity in his work. Bradbury received a grand master (lifetime achievement) award from the SF Poetry Association in 2008 for “hooptedoo”. The poetic language of The Martian Chronicles, for ex. (SFPA pretends the GM was for Bradbury’s verse. But his not-prose poetry has been collected since the 1970s. SFPA was founded in 1978. And yet Bradbury’s tied for SFPA yearly Rhysling nominations with my friend WC Roberts, whose poems didn’t begin appearing until after 2008.)

In Zen in the Art of Writing, Bradbury described his creative process. It’s do-able. Word association, automatic writing… Outrun your self-saboteur, basically. “In delay comes the effort for a style, instead of leaping upon truth which is the only style worth deadfalling or tiger-trapping.” (Bradbury) It won’t get you to nirvana, or to escape velocity. But it can help you dredge the sludgy, trough-like canals of your own Mars for pearly hooptedoo.

Or scifaiku:

my uplifted boar’s

prehensile tusk

clutching a nib pen

 

 

WORKS CITED

Bradbury, Ray. Zen in the Art of Writing. Capra Press, 1989.

Eller, Jonathan R. Bradbury Beyond Apollo. University of Illinois Press, 2020.

Luscombe, Richard. “William Shatner in Tears After Historic Space Flight.” The Guardian, 13 October 2021.

Weller, Sam. The Bradbury Chronicles. HarperCollins, 2005.

White, Rowland. Into the Black. Simon and Schuster, 2016.

 

***

 

Drabbun--Haibun with a twist! 

t. santitoro 

 

Drabbun are a relatively new hybrid poetic form that was invented in 2020 by Hiraeth Publishing’s Terrie Leigh Relf, Francis W. Alexander, and teri santitoro.

 

They are basically a cross between Drabbles (a 100-word prose story) and haibun (a prose section with an accompanying scifaiku). Therefore a drabbun is a 100-word prose section with an accompanying scifaiku, the two of them together comprising 100 words total. The title is not included in the word count. The scifaiku may come before the prose section, or after it, and may or may not explain, intensify or be explained by the prose section. Sometimes drabbun have more than one prose section or many scifaiku or many of each. 

 

Here is an example of drabbun:

 

Betwixt Twins by t.santitoro

 

When Ethin's twin brother Lian poisoned him, Ethin found himself blinded by the effects of the toxin. Because he was no longer capable of performing the functions of Arzone's ruler, the younger twin was elevated to that status instead; thus Lian inherited the throne of Arzone.

 

To secure his position, Lian had Ethin cast out of Arzonian society, exiled to wander the planet's wastelands, where feral beings roamed.

 

It wasn't long before the elder twin found a more loyal following, with the power to rival even that of his brother, the king.

 

blinded and betrayed

a new religion forms

godhood

 

***

 

FEATURED POET

Joanne Morcom

 

SCIFAKU

 

following me

back through the worm hole

baby dinosaurs

 

time travelling

I pose and smile

for da Vinci

 

time machine

mired in the mud

destroyed by Huns

 

the stray cat

from another world

finds a new home

  

*

alien insects

trapped in amber

break free

 

invincible

tardigrades conspire

to rule the world

 

multiverse

I have a root canal

in all of them

 

the true color

of the universe

big bang beige

 

I read a book

made from human skin

the pages supple

 

*

afternoon tea

cannibals nibble on

ladyfingers

 

*

HORRORKU

fake universe

seems like the real thing

my phony smile

 

*

psych ward

no one believes

I’m in charge

 

*

drained swamp

reveals a fossil

not of this earth

 

preparing

for doomsday

I buy thermal socks

 

waking me

from REM sleep

lonely ghost

 

*

new home

same old ghost

by my side

 

returning

from the space station

brain rewired

 

*

thrift store find

a shrunken head

in a suitcase

 

Mandy

Joanne Morcom

 Mandy the mischievous doll resides in a quaint museum in a small British Columbia town.  Dressed in white, she sits primly in a locked glass case with a toy lamb nestled in her lap.  Although her porcelain face is marred by a spiderweb of cracks, her pink lips smile and her sparkling blue eyes seem to follow visitors.  Staff report strange happenings since she was given to the museum years ago.  Things go missing and turn up later in unexpected places.  Even Mandy’s lamb disappears and reappears.  Whether she’s playing tricks on people or people are the tricksters is anyone’s guess, but one thing’s for sure.  Little Mandy keeps on smiling and staring.

a full moon

the doll’s tiny hands

break the lock  

we embark

on a long space journey

to a planet

rumored to have

five oceans

Joanne Morcom

 

treasure hunters

enter Jewel Cave

become the hunted …

search and rescue team

also vanishes

Joanne Morcom

 

***

INTERVIEW WITH FEATURED POET

Joanne Morcom 

How long have you been writing poetry?

I started writing poetry way back in junior high school, but it wasn’t very good.  I’ve been writing Japanese style poetry such as haiku, tanka and haibun for a long time.  Hopefully, it’s good! 

Did you begin writing haiku before you branched out to scifaiku?

Yes, I wrote haiku before writing scifaiku, but I don’t recall how many years passed between the two endeavors.  The sequence of events is lost in the mist of time. 

How did you learn about scifaiku?

I happened to read Tom Brinck’s The SciFaiku Manifesto and was intrigued by the idea of writing haiku with science fiction and speculative themes.

Where did you learn to write scifaiku?

I learned how to write scifaiku by reading as many of them as I could.  Scifaikuest is a great source! 

Did you write poetry other than genre poetry?  If so, what kind?

I used to write limericks but they may be a form of genre poetry. 

 

Whose poetry has influenced you the most?

I’m influenced by every poet whose work I’ve read.  Of course the Japanese haiku masters such as Basho, Buson and Shiki have influenced  me, as well as Jack Kerouac, who wrote haiku as well as novels.  As a youngster, I thought that he was the king of cool. 

 

Who is your favorite poet?

I enjoy Ogden Nash’s short, funny poems, and I also admire Christina Rossetti’s romantic and devotional poetry.  In addition to being a poet, she was a volunteer social worker who worked with “fallen women”.  That must have been quite a challenge in 19th century England.

 

What/who is your main inspiration?

Currently, I’m inspired to write scifaiku by a website called LiveScience.com, which features articles and videos about space, technology, the environment, culture, history and much more.  I’m also inspired by nature and human nature. 

What poetry magazines do you read/contribute to?

I’m a member of Haiku Canada and my poetry and book reviews appear in the Haiku Canada Review, as well as the annual members’ anthology.  My poetry has also been published in Scifaikuest, Tinywords, Autumn Moon Haiku, and other journals.   My tanka and book reviews appear in GUSTS: Contemporary Tanka, which is Canada’s only tanka journal.  In 2021, I submitted a haiku to the annual Vancouver Cherry Blossom Festival Haiku Invitational and it received a Sakura Award.  I also participate in the annual When Words Collide Literary Festival held in Calgary, at which I promote haiku and scifaiku.

***

 

MY FAVORITE POEM by editor, t.santitoro

 

weird winter night

we dance to a waltz

in our body bags

 

Gordon Brown

 

Whoa! What a strange picture this poem conjures up! A very unique story in a very small package! Well done!—t

 

***

 

 

 

Who?

 

Francis W. Alexander: The five-time Rhysling nominee is the author of When the Mushrooms Come and I Reckon. He is a frequent contributor to Scifaikuest and has had poems published in Otoroshi Journal, the It Came from Her Purse Anthology, Tales from the Moonlit Path, Illumen and Star*Line

 

ARPY is one of our awesome illustrators!

 

Gordon Brown grew up in the deserts of Syria and now lives in the deserts of Nevada. Since his arrival in the New World, his work has appeared in McSweeney's Internet Tendency, Tales to Terrify, Nightscript, and Modern Haiku. He spends his time writing feverishly and looking after his cats, of which he has none.

 

"Stephen Curro hails from Windsor, Colorado.  Along with Scifaikuest, he has published or forthcoming work with Acorn and The Fifth Di..., among others.  He also writes educational materials for the nonprofit Taproot Guru.  When he isn't writing, he works as a high school paraprofessional.  When he isn't working, he enjoys scuba diving and plotting to trick his dad into watching Lord of the Rings.  You can keep up with his shenanigans at www.stephenccurro.com."

 

Andy Graber: I taught myself how to draw, use pastels and to paint.

 

John Hawkhead (as now known) was found in a burnt-out crater just south of the Rendlesham Forest, Suffolk, England. His joints have never quite recovered.

 

Mariel Herbert's writing has appeared in Daily Science Fiction, Liminality, Scifaikuest, Star*Line, and other venues. She currently lives in California with one high-maintenance dog and hundreds of low-maintenance books. Links to her published fiction and poetry can be found online at marielherbert.wordpress.com

 

Akua Lezli Hope is a creator and wisdom seeker who uses sound, words, fiber, glass, metal, and wire to create poems, patterns, stories, music, sculpture, and peace. She sings songs from her favorite anime in Japanese, practices her soprano saxophone, cajoles her black cat, and prays for the cessation of suffering for all sentience.

 

Valentin D. Ivanov: I am a Bulgarian SF writer, working abroad. Professionally, I am an

astronomer with numerous publications in research journals. SF is my hobby. I have published in my native country about thirty stories. A speculative poem of mine appeared in the Apr 2021 issue of Star Line. I also have a few stories in English, German and Russian.

 

Herb Kauderer would write on the sidewalk with chalk knowing it was going to rain soon.

 

Tyler McIntosh was born and raised where the mountains meet the valley to the south of Jackson, Wyoming. He is an environmental scientist, skier, and map-lover now based out of Boulder, Colorado.

 

Joanne Morcom is a published poet, book reviewer, obituary reader and social worker who lives in Calgary, Alberta.

 

ayaz daryl nielsen, veteran and hospice nurse, lives in Longmont, Colorado, USA.  Editor of bear creek haiku (35+ years/175+ issues) with poetry published worldwide, he is online at: bear creek haiku   poetry, poems and info.

 

Lisa Timpf is a retired HR and communications professional who lives in Simcoe, Ontario. When not writing, she enjoys bird-watching, organic gardening, and tossing a flying disc for her canine friend. You can find out more about Lisa's writing at http://lisatimpf.blogspot.com/.

 

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